Legally Bland

10 Responses to “Guldhen Boods: Malaysian Style”

1. 1 dumbdrummer Nov 17th, 2006 at 3:31 am

   even if i wanted to, i’m unable to
   post a comment.

2. 2 Old Doc Tucker Nov 17th, 2006 at 6:17 am

   I have never been more pleased with a single piece of film than this magnificent example of pure perfection. God bless the hands of the genius that crafted this all too short piece of heaven. Please tell me that it is available in it’s entirety on DVD.

3. 3 Boney Fife Nov 17th, 2006 at 1:39 pm

   two words, man:
   HELL and YEAH

4. 4 Branden Nov 17th, 2006 at 2:40 pm

   When this guy jumps from out of frame at about three feet off the ground, my heart explodes.

5. 5 Old Doc Tucker Nov 17th, 2006 at 3:40 pm

   Seriously, is it available on DVD?

6. 6 Barney Fine Nov 17th, 2006 at 7:19 pm

   now that i’ve had a chance to glue my Stimpy-esque brain back together, i notice that this piece really comes into it’s own around the three minute mark. also, the extreme number of extreme zooms onto ‘the executive’, who is constantly just starting to get into the song, is of obvious influence on modern masters such as Steven Speilberg and Randy Travis, as well as the yellow-dressed girl who was pressured into choreography. of similar phantasmagoric surreality is this gem:

   http://tinyurl.com/yjzf5e

   familiar to anyone who caught the film adaptation of Ghost World.

7. 7 Branden Nov 17th, 2006 at 7:23 pm

   Yep, that’s a fine piece of clip (and a great intro for that film as well).

8. 8 the fourth samba Nov 17th, 2006 at 10:16 pm

   There’s indeed a perfect explanation for these unsolved mysteries, but we must go back. In the early 1980’s Amish kids who were not allowed to hear rock n’ roll especially the kind of instrumentation that requires electricity were astounded and dumfounded by the discovery of Malasian rock music. First and foremost the people that they had entered into contact with in terms of the craft, specifically men, had been wearing big bushy beards and their electric guitars were never plugged in. Both of these elements are found in this phenomenal piece of obsolete history. As history provides, the Amish teenage ears sold themselves to Malaysian rock music who at times sounded a bit like Pennsylvania Dutch when gurgling under water. This film is not about Malaysian culture but Amish youth culture in attempts to display to their parents that rock music was a viable option to be used for cow pasturing and barn building. Thus the protagonist here is seen shaking his money maker in front of ultra conservative folk who at times are seen giving themselves to the wantoness of that unplugged guitar. Rock music or better put, Malaysian rock music was accepted in their midst until a discourse arose around the actual material of the Guldhen Boods. The adolescents vehemently tried to appease the anger of their parents who were feeling betrayed by these boots or “boods” who were not of proper usage for the field AND were made of the most of all synthetic fabrics, or better said, object, “polyester mashed with rayon with a all enveloping film of Krylon that made the boots emulate gold.

   - The Folkloric Behavior Encyclopedia of German and Malaysian traditions and hybrids, vol. P - t, pg. 356 2nd prgph.

9. 9 bigfaturl Nov 17th, 2006 at 10:33 pm

   thanksgiving!

   http://www.goemerchant1.com/index.cgi?PageToView=orders&counterForBackButton=-1&Cartid=26681163802343&Merchant=indiahuthouse2&ItemNumber=IHHVCDTL432&ProductID=9567188&UserFieldCount=0&ST=buy&Action=add&ExpandedDepts=&Quantity=1&Skip=1

10. 10 Branden Nov 18th, 2006 at 1:15 am

    You’re right fatty. That appears to be the one. Here’s the actual product page. I’ll gladly visit the house of anyone that actually purchases this.

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